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The Kokuga Society, 1918-1928, was formed by artists Tsuchida Bakusen (1887-1936), Ono Chikkyô (1889-1979), Sakakibara Shihô (1887-1971), Murakami Kagaku (1888-1939) and Nonagase Banka (1889-1964). The goal was to foster reform of traditional painting by showcasing art that celebrated creativity, individuality, and self-expression, in order to encourage an alternative aesthetic to that associated with the Bunten, the dominant, government-organized exhibition series.<ref> John Donald Szostak, "The `Kokuga Sôsaku Kyôkai' and Kyoto Nihonga Reform in the Meiji, Taishô and Early Shôwa Years (1900-1928)."  PhD dissertation U. of Washington 2005. 656 pp.  DAI 2006 66(7): 2419-A. DA3183429  Fulltext: [[ProQuest Dissertations & Theses]]</ref>  
 
The Kokuga Society, 1918-1928, was formed by artists Tsuchida Bakusen (1887-1936), Ono Chikkyô (1889-1979), Sakakibara Shihô (1887-1971), Murakami Kagaku (1888-1939) and Nonagase Banka (1889-1964). The goal was to foster reform of traditional painting by showcasing art that celebrated creativity, individuality, and self-expression, in order to encourage an alternative aesthetic to that associated with the Bunten, the dominant, government-organized exhibition series.<ref> John Donald Szostak, "The `Kokuga Sôsaku Kyôkai' and Kyoto Nihonga Reform in the Meiji, Taishô and Early Shôwa Years (1900-1928)."  PhD dissertation U. of Washington 2005. 656 pp.  DAI 2006 66(7): 2419-A. DA3183429  Fulltext: [[ProQuest Dissertations & Theses]]</ref>  
 
==History==
 
==History==
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Kyoto served as Japan's imperial capital for more than a thousand years (794-1868) and in the 21st century is still one of Japan's leading cultural centers.
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[[File:Kyoto1.jpg|thumb|230px]]
       
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