Difference between revisions of "All in the Family"
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| − | [[Image:Carroll O'Connor.jpg| | + | [[Image:Carroll O'Connor.jpg|100px|right|thumb|Carroll O'Connor was cast as Archie Bunker on [[CBS]]'s ''All in the Family.'']] |
| − | [[Image:Jean Stapleton.jpg| | + | [[Image:Jean Stapleton.jpg|100px|right|thumb|Jean Stapleton was best known for her role as Edith Bunker.]] |
| − | [[Image:Sally Struthers.jpg| | + | [[Image:Sally Struthers.jpg|100px|right|thumb|Sally Struthers as Gloria Bunker Stivic]] |
| − | '''''All in the Family''''' was | + | '''''All in the Family''''' was an offensively stereotypical sitcom in the 1970s which is ranked by one website as the 6th most racist old television show.<ref>https://www.therichest.com/most-shocking/10-old-shows-that-were-racist/</ref> This show was created by the left-wing producer [[Norman Lear]] and heavily promoted by the [[liberal media]] for its airing on [[CBS]] from 1971 to 1979. This show was an adaptation of a British [[BBC]] sit-com ''Till Death Us Do Part'', of which Lear was a fan. |
| − | ''All in the Family'' was | + | ''All in the Family'' was degrading to women by portraying the housewife and mother, "Edith Bunker" (played by Jean Stapleton) as a senseless and unattractive nuisance. An episode of the show included an attempted rape of her by an intruder on her 50th birthday, which is omitted from the syndicated reruns. |
| − | While ''All in the Family'' is today considered to be a "groundbreaking" show in the history of television by the [[liberal media]], it is | + | The late actor Carrol O'Connor played the central character, portrayed as a white bigot, [[Archie Bunker]]. Archie and Jean's daughter Gloria, was played by Sally Struthers, and [[Leftist]] [[Rob Reiner]] played the liberal son-in-law Mike Stivic. The show's storylines featured Archie, inaccurately portrayed by Lear as a [[conservative]] bigot, engaging in constant arguments and debates with Mike (nicknamed "Meathead" by Archie), most especially regarding Archie's [[racist]] tendencies and stereotypes (depicted according to Lear's viewpoint). |
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| + | ''All in the Family'' was notable at the time of its airing for being the first television show to push a political agenda. This reflects the period during which there was an intense political battle over the [[Equal Rights Amendment]] throughout the 1970s. [[Hollywood]]'s sharp [[Hollywood Values|turn to radical left-wing political themes]] in both film and television during the preceding era of the [[Vietnam War]] saw a shift from [[conservative]] TV shows featuring strong moral and family values (such as [[western]]s like ''[[Bonanza]]'' and ''[[The Rifleman]]'') towards liberal urban-set dramas and sitcoms, which also included ''[[Maude]]'', ''[[The Jeffersons]]'' and ''[[Good Times]]'' (also created by Norman Lear). | ||
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| + | While ''All in the Family'' is today considered to be a "groundbreaking" show in the history of television by the [[liberal media]], it is a glaring reminder of Hollywood's unsuccessful attempt to demonize [[conservative]]s beginning in the early 1970s. Despite the promotion of [[liberal values]] by ''All in the Family'', however, the ''Politically Incorrect Guide to the 1960s'' mentioned that audiences looked up to Archie Bunker largely because of his stubborn rejection of the counterculture, and his chair was even included as one of the most famous exhibits in the Smithsonian's National Museum of American History.<ref>''The Politically Incorrect Guide to the 1960s'' by Johnathan Leaf, page 97.<br />Those Were the Days.<br />The show most people associate with the clash between the sixties counterculture and the older generation, ''All in the Family'', did not premier until 1971. It is hailed by liberals today as a ground-breaking sitcom that "pushed the envelope" of acceptable fare for TV. In all the praise, however, it's forgotten that what made the show so beloved was the popularity of its main character, Archie Bunker. Although the character was supposed to be an unenlightened, illogical bigot, he became a hero to millions of Americans for his stubborn rejection of the counterculture. It is Archie Bunker's chair that has become one of the most famous exhibits in the Smithsonian's National Museum of American History. Meanwhile, Bunker's counterculture antagonist is now mostly remembered for the derisive nickname Archie gave him: Meathead.</ref> | ||
==Notes and references== | ==Notes and references== | ||
Revision as of 01:36, October 30, 2021
All in the Family was an offensively stereotypical sitcom in the 1970s which is ranked by one website as the 6th most racist old television show.[1] This show was created by the left-wing producer Norman Lear and heavily promoted by the liberal media for its airing on CBS from 1971 to 1979. This show was an adaptation of a British BBC sit-com Till Death Us Do Part, of which Lear was a fan.
All in the Family was degrading to women by portraying the housewife and mother, "Edith Bunker" (played by Jean Stapleton) as a senseless and unattractive nuisance. An episode of the show included an attempted rape of her by an intruder on her 50th birthday, which is omitted from the syndicated reruns.
The late actor Carrol O'Connor played the central character, portrayed as a white bigot, Archie Bunker. Archie and Jean's daughter Gloria, was played by Sally Struthers, and Leftist Rob Reiner played the liberal son-in-law Mike Stivic. The show's storylines featured Archie, inaccurately portrayed by Lear as a conservative bigot, engaging in constant arguments and debates with Mike (nicknamed "Meathead" by Archie), most especially regarding Archie's racist tendencies and stereotypes (depicted according to Lear's viewpoint).
All in the Family was notable at the time of its airing for being the first television show to push a political agenda. This reflects the period during which there was an intense political battle over the Equal Rights Amendment throughout the 1970s. Hollywood's sharp turn to radical left-wing political themes in both film and television during the preceding era of the Vietnam War saw a shift from conservative TV shows featuring strong moral and family values (such as westerns like Bonanza and The Rifleman) towards liberal urban-set dramas and sitcoms, which also included Maude, The Jeffersons and Good Times (also created by Norman Lear).
While All in the Family is today considered to be a "groundbreaking" show in the history of television by the liberal media, it is a glaring reminder of Hollywood's unsuccessful attempt to demonize conservatives beginning in the early 1970s. Despite the promotion of liberal values by All in the Family, however, the Politically Incorrect Guide to the 1960s mentioned that audiences looked up to Archie Bunker largely because of his stubborn rejection of the counterculture, and his chair was even included as one of the most famous exhibits in the Smithsonian's National Museum of American History.[2]
Notes and references
- ↑ https://www.therichest.com/most-shocking/10-old-shows-that-were-racist/
- ↑ The Politically Incorrect Guide to the 1960s by Johnathan Leaf, page 97.
Those Were the Days.
The show most people associate with the clash between the sixties counterculture and the older generation, All in the Family, did not premier until 1971. It is hailed by liberals today as a ground-breaking sitcom that "pushed the envelope" of acceptable fare for TV. In all the praise, however, it's forgotten that what made the show so beloved was the popularity of its main character, Archie Bunker. Although the character was supposed to be an unenlightened, illogical bigot, he became a hero to millions of Americans for his stubborn rejection of the counterculture. It is Archie Bunker's chair that has become one of the most famous exhibits in the Smithsonian's National Museum of American History. Meanwhile, Bunker's counterculture antagonist is now mostly remembered for the derisive nickname Archie gave him: Meathead.
External links
- All in the Family at the Internet Movie Database