Difference between revisions of "Road to Emmaus"
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(The incident is so compelling that there have been many paintings, particularly from the Renaissance, which attempt to depict it. Rembrandt, for example, painted ''Christ at Emmaus'' in 1648 which is now at the Louvre.) |
(The encounter captures perfectly the startling sensation of surprise awareness that is so difficult to describe.) |
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The incident is so compelling that there have been many paintings, particularly from the [[Renaissance]], which attempt to depict it. [[Rembrandt]], for example, painted ''Christ at Emmaus'' | The incident is so compelling that there have been many paintings, particularly from the [[Renaissance]], which attempt to depict it. [[Rembrandt]], for example, painted ''Christ at Emmaus'' | ||
in 1648 which is now at the [[Louvre]]. | in 1648 which is now at the [[Louvre]]. | ||
| + | |||
| + | The encounter captures perfectly the startling sensation of surprise awareness that is so difficult to describe. | ||
[will add more; help is welcomed] | [will add more; help is welcomed] | ||
[[category:Bible]] | [[category:Bible]] | ||
[[category:Gospels]] | [[category:Gospels]] | ||
Revision as of 06:50, February 26, 2022
The Road to Emmaus is one of the most beautiful and piercing accounts in all of the Gospels. As set forth at Luke 24:13-35, it describes an encounter by two disciples of Jesus with an ostensible stranger. They walked together towards Emmaus until it was too dark to proceed further.
The incident is so compelling that there have been many paintings, particularly from the Renaissance, which attempt to depict it. Rembrandt, for example, painted Christ at Emmaus in 1648 which is now at the Louvre.
The encounter captures perfectly the startling sensation of surprise awareness that is so difficult to describe.
[will add more; help is welcomed]