Difference between revisions of "Jean Ingres"
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| − | '''Jean-Auguste-Dominique Ingres''' (1780-1867) [[French]] [[Neoclassical|neo-classical]] painter. He is considered one of the major [[portrait]] painters of the 19th century. He won the ''[[Prix de Rome]]'' in 1801. Ingres considered himself the protector of French [[Academic Art|academic]] orthodoxy as a [[Historical Painting|history painter]]. | + | '''Jean-Auguste-Dominique Ingres''' (1780-1867) [[French]] [[Neoclassical|neo-classical]] painter. He is considered one of the major [[portrait]] painters of the 19th century. He won the ''[[Prix de Rome]]'' in 1801. Ingres considered himself the protector of French [[Academic Art|academic]] orthodoxy as a [[Historical Painting|history painter]]. The theme of female voluptuousness attractive to Ingres throughout his life. |
One of his acknowledged masterpieces, [http://www.conservapedia.com/Image:Ingres_The_Turkish_Bath.jpg ''The Turkish Bath''] (Louvre, 1863), dates from the last years of his life; other famous works are "Madame Moitessier" and "Mademoiselle Caroline Rivière". | One of his acknowledged masterpieces, [http://www.conservapedia.com/Image:Ingres_The_Turkish_Bath.jpg ''The Turkish Bath''] (Louvre, 1863), dates from the last years of his life; other famous works are "Madame Moitessier" and "Mademoiselle Caroline Rivière". | ||
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| − | {{DEFAULTSORT: Ingres, Jean}} | + | {{DEFAULTSORT:Ingres, Jean}} |
[[Category:French Painters]] | [[Category:French Painters]] | ||
Latest revision as of 00:36, July 12, 2016
Jean-Auguste-Dominique Ingres (1780-1867) French neo-classical painter. He is considered one of the major portrait painters of the 19th century. He won the Prix de Rome in 1801. Ingres considered himself the protector of French academic orthodoxy as a history painter. The theme of female voluptuousness attractive to Ingres throughout his life.
One of his acknowledged masterpieces, The Turkish Bath (Louvre, 1863), dates from the last years of his life; other famous works are "Madame Moitessier" and "Mademoiselle Caroline Rivière".
His most significant heir was Edgar Degas.
Petite Gallery
Portrait of Napoléon Bonaparte
Portrait of Napoléon on the Imperial Throne
Madame Paul-Sigisbert Moitessier
Mademoiselle Caroline Rivière
Death of Leonardo da Vinci
See also
External links
- Biography Olga's Gallery.
- INGRES, Jean-Auguste-Dominique The Web Gallery of Art.