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| − | The | + | [[Image:George Handel.jpg|right|thumb|250px|Balthasar Denner's portrait of George Frideric Handel (1733)]] |
| − | + | '''George Frideric Handel''' (1685 - 1759) (German: '''Georg Friedrich Händel''') was a [[German]]-born [[British]] (since 1727<ref>[http://www.parliament.uk/business/publications/parliamentary-archives/archives-highlights/handel-and-naturalisation/ The UK Parliament Website: ''British Citizen by Act of Parliament: George Frideric Handel'']</ref>) composer and organist. His works fall within the [[Baroque]] era of Western [[Classical music]]. Handel was, during his lifetime, perhaps the most internationally famous of all musicians. [http://www.8notes.com/school/history/handel.asp] The legacy of Handel may be found in the dramatic power and lyrical beauty inherent in his [[music]]. | |
| − | + | ||
| − | + | == List of works == | |
| − | + | ||
| − | + | [[Opera|OPERAS]]: | |
| + | * [[Hamburg]]: Almira, Nero (lost) (both 1705) | ||
| + | * Florindo e Dafne (lost) (1707) | ||
| + | * [[Florence]]: Rodrigo (1707) | ||
| + | * [[Venice]]: Agrippina (1709) | ||
| + | * [[London]]: Rinaldo (1711, rev. 1731) | ||
| + | * Il pastor fido (1712; 2nd version with ballet Terpsicore, 1734) | ||
| + | * Teseo (1712) | ||
| + | * Silla (1714) | ||
| + | * Amadigi di Gaula (1715) | ||
| + | * Radamisto (1720, rev. 1720, 1721, 1728) | ||
| + | * Muzio Scevola, Floridante (both 1721) | ||
| + | * Ottone (1722) | ||
| + | * Flavio (1723) | ||
| + | * Giulio Cesare in Egitto (1723-4) | ||
| + | * Tamerlano (1724, rev. 1731) | ||
| + | * Rodelinda, regina de'Longobardi (1725) | ||
| + | * Scipione, Alessandro (both 1726) | ||
| + | * Admeto, Riccardo I (both 1727) | ||
| + | * Siroe, Tolomeo (both 1728) | ||
| + | * Lotario (1729) | ||
| + | * Partenope (1729–30, rev. 1730, 1736) | ||
| + | * Poro (1731) | ||
| + | * Ezio, Sosarme (both 1732) | ||
| + | * Orlando (1733) | ||
| + | * Arianna (1734) | ||
| + | * Ariodante, Alcina (both 1735) | ||
| + | * Atalanta (1736) | ||
| + | * Arminio, Giustino, Berenice (all 1737) | ||
| + | * Faramondo, Serse (both 1738) | ||
| + | * Imeneo (1738–40) | ||
| + | * Deidamia (1740) | ||
| + | |||
| + | [[Orchestra|ORCHESTRA]]: | ||
| + | * Water Music (c.1717) | ||
| + | * Music for Royal Fireworks (1749) | ||
| + | |||
| + | DRAMATIC [[oratorio|ORATORIOS]]: | ||
| + | * [[Rome]]: La Resurrezione, Trionfo del Tempo (1708) | ||
| + | * Naples: Aci, Galatea e Polifemo (1709) | ||
| + | * Hamburg: Der für die Sünde der Welt gemartete und sterbende Jesus (Brockes Passion) (?1716) | ||
| + | * London: Haman and Mordecai (masque 1720, later rev. as Esther in 1732) | ||
| + | * Acis and Galatea (1718; rev. 1732 incorporating part of 1708 cantata on same subject, and 1743) | ||
| + | * Deborah (1733) | ||
| + | * Athalia (1733) | ||
| + | * Alexander's Feast (1736) | ||
| + | * Israel in Egypt (1738) | ||
| + | * Saul, Ode for St Cecilia's Day (1739) | ||
| + | * L'Allegro, il Pensieroso ed il Moderato (1740) | ||
| + | * [[Handel's Messiah|Messiah]] (1741) | ||
| + | * Samson (1741-2) | ||
| + | * Joseph and his Brethren, Semele (1743) | ||
| + | * Belshazzar, Hercules (1744) | ||
| + | * Occasional Oratorio, Judas Maccabaeus (1746) | ||
| + | * Alexander Balus, Joshua (1747) | ||
| + | * Solomon, Susanna (1748) | ||
| + | * Theodora, Alceste (1749) | ||
| + | * Choice of Hercules (1750) | ||
| + | * Jephtha (1751) | ||
| + | * Triumph of Time and Truth (1757) | ||
| + | |||
| + | [[Cantata|CANTATAS]] AND CHAMBER DUETS: Handel comp. 100 of the former and 20 of the latter. Among the best known are: | ||
| + | * Silete Venti, sop., instr. (1729) | ||
| + | * La terra è liberata (Apollo e Dafne), sop., bass, instr. (c.1708) | ||
| + | * O numi eterni (La Lucrezia), sop., continuo (1709) | ||
| + | |||
| + | CHURCH MUSIC: | ||
| + | * [[Gloria]] Patri (1707) | ||
| + | * Utrecht [[Te Deum]] and [[Jubilate]] (1712–13) | ||
| + | * Dettingen Te Deum (1743) | ||
| + | * 11 Chandos [[Anthem]]s (1717–18) | ||
| + | * 4 Coronation [[Anthem]]s (1727: The King Shall Rejoice; Let thy hand be strengthened; My heart is inditing; Zadok the Priest) | ||
| + | * The Ways of Zion do Mourn, funeral [[anthem]] for Queen Caroline (1737) | ||
| + | |||
| + | VOCAL: | ||
| + | * Birthday Ode for [[Queen Anne]] (1713) | ||
| + | * 9 [[Germany|German]] Arias (1729) | ||
| + | |||
| + | INSTRUMENTAL AND [[chamber music|CHAMBER MUSIC]]: | ||
| + | * 6 [[concerto grosso|Concerti Grossi]], str., ww., continuo, Op.3 (1734) | ||
| + | * 12 Concerti Grossi, str., optional wind, Op.6 (1739) | ||
| + | * 5 [[concerto|Concerti]], orch. (1741) | ||
| + | * 6 [[organ]] concerti, Op.4 (1738) | ||
| + | * 6 organ concerti, Op.7 (1760) | ||
| + | * 6 organ concerti (1740) | ||
| + | * 15 chamber sonatas (fls., recorders), Op.1 (1724) | ||
| + | * 3 concerti a due cori | ||
| + | * 2 ob. [[sonata]]s | ||
| + | * 12 fl. sonatas | ||
| + | * 6 [[trio sonata]]s | ||
| + | * 9 trio sonatas, Op.2 (1722–33) | ||
| + | * 7 trio sonatas, Op.5 (1739) | ||
| + | * [[viol|viola da gamba]] sonata | ||
| + | * 8 [[suite]]s de pièces, ([[harpsichord]]) (1720) See also Harmonious Blacksmith | ||
| + | * 8 suites de pièces (1733, these incl. the well-known Chaconne in G) | ||
| + | * 6 [[Fugue]]s (1736) | ||
| + | |||
| + | == See also == | ||
| + | |||
| + | *[[Domenico Scarlatti]] | ||
| + | *[[Ludwig van Beethoven]] | ||
| + | |||
| + | == External links == | ||
| + | |||
| + | *[http://www.naxos.com/composerinfo/George_Frideric_Handel/24403.htm HANDEL, GEORGE FRIDERIC BIOGRAPHY] | ||
| + | *[http://www.8notes.com/school/history/handel.asp George Frideric Handel (1685-1759)] | ||
| + | |||
| + | == References == | ||
| + | <references /> | ||
| + | |||
| + | |||
| + | {{DEFAULTSORT:Handel, George Frideric}} | ||
| + | |||
| + | [[Category:German People]] | ||
| + | [[Category:Musicians]] | ||
| + | [[Category:Composers]] | ||
Latest revision as of 04:11, January 17, 2023
George Frideric Handel (1685 - 1759) (German: Georg Friedrich Händel) was a German-born British (since 1727[1]) composer and organist. His works fall within the Baroque era of Western Classical music. Handel was, during his lifetime, perhaps the most internationally famous of all musicians. [1] The legacy of Handel may be found in the dramatic power and lyrical beauty inherent in his music.
List of works
- Hamburg: Almira, Nero (lost) (both 1705)
- Florindo e Dafne (lost) (1707)
- Florence: Rodrigo (1707)
- Venice: Agrippina (1709)
- London: Rinaldo (1711, rev. 1731)
- Il pastor fido (1712; 2nd version with ballet Terpsicore, 1734)
- Teseo (1712)
- Silla (1714)
- Amadigi di Gaula (1715)
- Radamisto (1720, rev. 1720, 1721, 1728)
- Muzio Scevola, Floridante (both 1721)
- Ottone (1722)
- Flavio (1723)
- Giulio Cesare in Egitto (1723-4)
- Tamerlano (1724, rev. 1731)
- Rodelinda, regina de'Longobardi (1725)
- Scipione, Alessandro (both 1726)
- Admeto, Riccardo I (both 1727)
- Siroe, Tolomeo (both 1728)
- Lotario (1729)
- Partenope (1729–30, rev. 1730, 1736)
- Poro (1731)
- Ezio, Sosarme (both 1732)
- Orlando (1733)
- Arianna (1734)
- Ariodante, Alcina (both 1735)
- Atalanta (1736)
- Arminio, Giustino, Berenice (all 1737)
- Faramondo, Serse (both 1738)
- Imeneo (1738–40)
- Deidamia (1740)
- Water Music (c.1717)
- Music for Royal Fireworks (1749)
DRAMATIC ORATORIOS:
- Rome: La Resurrezione, Trionfo del Tempo (1708)
- Naples: Aci, Galatea e Polifemo (1709)
- Hamburg: Der für die Sünde der Welt gemartete und sterbende Jesus (Brockes Passion) (?1716)
- London: Haman and Mordecai (masque 1720, later rev. as Esther in 1732)
- Acis and Galatea (1718; rev. 1732 incorporating part of 1708 cantata on same subject, and 1743)
- Deborah (1733)
- Athalia (1733)
- Alexander's Feast (1736)
- Israel in Egypt (1738)
- Saul, Ode for St Cecilia's Day (1739)
- L'Allegro, il Pensieroso ed il Moderato (1740)
- Messiah (1741)
- Samson (1741-2)
- Joseph and his Brethren, Semele (1743)
- Belshazzar, Hercules (1744)
- Occasional Oratorio, Judas Maccabaeus (1746)
- Alexander Balus, Joshua (1747)
- Solomon, Susanna (1748)
- Theodora, Alceste (1749)
- Choice of Hercules (1750)
- Jephtha (1751)
- Triumph of Time and Truth (1757)
CANTATAS AND CHAMBER DUETS: Handel comp. 100 of the former and 20 of the latter. Among the best known are:
- Silete Venti, sop., instr. (1729)
- La terra è liberata (Apollo e Dafne), sop., bass, instr. (c.1708)
- O numi eterni (La Lucrezia), sop., continuo (1709)
CHURCH MUSIC:
- Gloria Patri (1707)
- Utrecht Te Deum and Jubilate (1712–13)
- Dettingen Te Deum (1743)
- 11 Chandos Anthems (1717–18)
- 4 Coronation Anthems (1727: The King Shall Rejoice; Let thy hand be strengthened; My heart is inditing; Zadok the Priest)
- The Ways of Zion do Mourn, funeral anthem for Queen Caroline (1737)
VOCAL:
- Birthday Ode for Queen Anne (1713)
- 9 German Arias (1729)
INSTRUMENTAL AND CHAMBER MUSIC:
- 6 Concerti Grossi, str., ww., continuo, Op.3 (1734)
- 12 Concerti Grossi, str., optional wind, Op.6 (1739)
- 5 Concerti, orch. (1741)
- 6 organ concerti, Op.4 (1738)
- 6 organ concerti, Op.7 (1760)
- 6 organ concerti (1740)
- 15 chamber sonatas (fls., recorders), Op.1 (1724)
- 3 concerti a due cori
- 2 ob. sonatas
- 12 fl. sonatas
- 6 trio sonatas
- 9 trio sonatas, Op.2 (1722–33)
- 7 trio sonatas, Op.5 (1739)
- viola da gamba sonata
- 8 suites de pièces, (harpsichord) (1720) See also Harmonious Blacksmith
- 8 suites de pièces (1733, these incl. the well-known Chaconne in G)
- 6 Fugues (1736)
