Difference between revisions of "Herbert Marcuse"
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'''Herbert Marcuse''' (1898-1979), a member of the [[Frankfurt School]], was a major figure in the [[New Left]] movement of the 1960s. He was also a major figure in the development of [[Cultural Marxism]], more commonly known as [[political correctness]]. | '''Herbert Marcuse''' (1898-1979), a member of the [[Frankfurt School]], was a major figure in the [[New Left]] movement of the 1960s. He was also a major figure in the development of [[Cultural Marxism]], more commonly known as [[political correctness]]. | ||
| − | He | + | Many radical activists were influenced by Marcuse, such as [[Norman O. Brown]],<ref>{{cite book |author=Dufresne, Todd |title=Tales from the Freudian Crypt: The Death Drive in Text and Context |publisher=Stanford University Press |location=Stanford |year=2000 |page=112 |isbn=978-0-8047-3885-9 |oclc= |doi= |accessdate=}}</ref> [[Angela Davis]],<ref name="Ebony-July1971">{{cite news |
| + | | title = Rhetoric Vs. Reality: Angela Davis tells why black people should not be deceived by words | ||
| + | | first = Angela | ||
| + | | last = Davis | ||
| + | | authorlink = Angela Davis | ||
| + | | url = https://books.google.com/books?id=5tsDAAAAMBAJ&printsec=frontcover&cad=0#v=onepage&q&f=false | ||
| + | | newspaper = [[Ebony (magazine)|Ebony]] | ||
| + | | publisher = [[Johnson Publishing Company]] | ||
| + | | location = [[Chicago]] | ||
| + | | volume = 26 | ||
| + | | issue = 9 | ||
| + | | date = July 1971 | ||
| + | | pages = 115–120 | ||
| + | }}</ref> [[Charles J. Moore]], [[Abbie Hoffman]], [[Rudi Dutschke]], and [[Robert M. Young]]. | ||
| + | Marcuse later expressed his radical ideas through three pieces of writing. He wrote ''An Essay on Liberation'' in 1969, in which he celebrated so0called "[[national liberation movement]]s" such as that of the [[Viet Cong]], which inspired many radicals. In 1972 he wrote ''Counterrevolution and Revolt'', which argues that the hopes of the 1960s were facing a counterrevolution from the right.<ref name=kellner12 /> He published his final work ''The Aesthetic Dimension'' in 1979 on the role of art in the process of what he termed "emancipation" from bourgeois society.<ref name=kellner12 /> | ||
| + | |||
| + | He is infamous for promoting the false idea that the fascists and Nazis were sexual repressives and adhered to a strict moral code (when in reality, the Nazis actually were bohemians and sexual perverts). | ||
Marcuse was denounced by Pope [[Paul VI]] for ''"theory that opens the way to license cloaked as liberty, and the aberration of instinct called liberation."''<ref>{{cite web |title=Marcuse as an Activist: Reminiscences of His Theory and Practice |author=George Katsiaficas |publisher=New Political Science |year=1996, Original lecture on 1 Nov 1991 at [[M.I.T.]]|url=https://www.marcuse.org/herbert/booksabout/90s/96KatasfiacasMARCUSE.pdf |accessdate=13 Sep 2018 }}</ref> | Marcuse was denounced by Pope [[Paul VI]] for ''"theory that opens the way to license cloaked as liberty, and the aberration of instinct called liberation."''<ref>{{cite web |title=Marcuse as an Activist: Reminiscences of His Theory and Practice |author=George Katsiaficas |publisher=New Political Science |year=1996, Original lecture on 1 Nov 1991 at [[M.I.T.]]|url=https://www.marcuse.org/herbert/booksabout/90s/96KatasfiacasMARCUSE.pdf |accessdate=13 Sep 2018 }}</ref> | ||
Revision as of 21:40, June 24, 2020
Herbert Marcuse (1898-1979), a member of the Frankfurt School, was a major figure in the New Left movement of the 1960s. He was also a major figure in the development of Cultural Marxism, more commonly known as political correctness.
Many radical activists were influenced by Marcuse, such as Norman O. Brown,[1] Angela Davis,[2] Charles J. Moore, Abbie Hoffman, Rudi Dutschke, and Robert M. Young. Marcuse later expressed his radical ideas through three pieces of writing. He wrote An Essay on Liberation in 1969, in which he celebrated so0called "national liberation movements" such as that of the Viet Cong, which inspired many radicals. In 1972 he wrote Counterrevolution and Revolt, which argues that the hopes of the 1960s were facing a counterrevolution from the right.[3] He published his final work The Aesthetic Dimension in 1979 on the role of art in the process of what he termed "emancipation" from bourgeois society.[3]
He is infamous for promoting the false idea that the fascists and Nazis were sexual repressives and adhered to a strict moral code (when in reality, the Nazis actually were bohemians and sexual perverts).
Marcuse was denounced by Pope Paul VI for "theory that opens the way to license cloaked as liberty, and the aberration of instinct called liberation."[4]
References
- ↑ Dufresne, Todd (2000). Tales from the Freudian Crypt: The Death Drive in Text and Context. Stanford: Stanford University Press. ISBN 978-0-8047-3885-9.
- ↑ Davis, Angela. "Rhetoric Vs. Reality: Angela Davis tells why black people should not be deceived by words", Johnson Publishing Company, July 1971, pp. 115–120.
- ↑ Cite error: Invalid
<ref>tag; no text was provided for refs namedkellner12 - ↑ George Katsiaficas (1996, Original lecture on 1 Nov 1991 at M.I.T.). Marcuse as an Activist: Reminiscences of His Theory and Practice. New Political Science. Retrieved on 13 Sep 2018.
